An exploration of time as both experience and essence - something we inhabit, and something that exists far beyond us. 

The first movement dwells in the immediacy of time: cyclical, intimate, and felt through the dialogue of shehnai, flute, and tabla - where breath and rhythm mirror the lived moment. 

The second movement opens into a more expansive realm, where folk traditions, layered with rhythms of Indian classical instuments, dissolve boundaries. Here, time becomes vast, uncontained, and spiritual - echoing the infinite. 

Together, the performance moves from the tangible to the transcendental, suggesting that time is not only what passes through us, but what connects us to something eternal.